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Refining Sound: A Practical Guide To Synthesis And Synthesizers, by Brian K. Shepard
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Review
"Shepard employs an inviting and accessible writing style to explain advanced topics in a way that is easy to understand. This book demystifies many of the topics of synthesis that can be confusing to people."--VJ Manzo, Assistant Professor of Music Technology, Worcester Polytechnic Institute, and author of Max/MSP/Jitter for Music"Refining Sound is an approachable introduction to the secrets of synthesis. The companion website is chock full of tutorials, making this well organized book a handy reference for either self-study or in a course."--Mary Simoni, Ph.D., Professor Emerita, University of Michigan, Dean, Rensselaer Polytechnic Institute"In Refining Sound, Brian Shepard provides a deeply valuable and sorely needed resource for the musician seeking to understand sound design. In clear language, he thoroughly explains and illustrates concepts that could be tedious and overwhelming for most readers, and does so from the perspective of the musician rather than the mathematician or physicist. I'm sure we will use this book as the primary text in our synthesis classes for years to come."--Scott L. Phillips, PhD, Co-director of Music Technology, The University of Alabama at Birmingham"Brian K. Shepard's book on synthesizers and synthesis is one of those rare volumes which is comprehensive in its explanations of the history of synthesizers and electronic music in general that makes for a jolly good read. For enthusiasts and professionals alike, this book is the best I've read in years. Thoroughly recommended!"--J. Peter Robinson, Composer"I'd venture to say that even veterans will find a few interesting facts here that were previously unknown to them...a first rate source of instruction for those with no knowledge or just partial knowledge of subtractive synthesis. Additionally, I can't imagine a better textbook to use in a formal class."--Sound Bytes
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About the Author
Brian K. Shepard is Professor of Audio Design Practice and Assistant Dean of the USC Iovine and Young Academy for Arts, Technology and the Business of Innovation at the University of Southern California. For more information, visit his website at briankshepard.com.
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Product details
Paperback: 264 pages
Publisher: Oxford University Press, Usa; 1 edition (November 1, 2013)
Language: English
ISBN-10: 9780199922963
ISBN-13: 978-0199922963
ASIN: 0199922969
Product Dimensions:
8.4 x 0.7 x 10.9 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
26 customer reviews
Amazon Best Sellers Rank:
#397,205 in Books (See Top 100 in Books)
Refining Sound is very clear and well-organized. I think that both the text and the illustrations do a good job of explaining the underlying theory of sound synthesis along with examples. I went into reading Refining Sound with quite a lot of prior knowledge about sound synthesis theory, so some of it was a refresher for me, but even still there were several areas where I was able to learn something new (such as the section on granular synthesis, which had a better explanation of granular synthesis than I had found using online articles). The only reason I give it four stars instead of five is because I would have liked to see more depth on the FM synthesis section. Still, I would highly recommend this to someone who is looking to learn about sound synthesis theory and techniques.
Very comprehensive and informative read on synthesizers. At times it did get quite technical, but nothing I couldn't follow up on with a little wikipedia background reading. The hands-on exercises were done via a DAW (digital audio workstation) that you had to install and run on your computer. While nice for DAW users, I felt that the author could've put a bit more practical instruction for those of us who have actual keyboard synths with buttons, knobs, and dials. That was my only knock on the book. Otherwise, I learned a ton about synthesis and modulation. Exactly what I wanted out of this book.
This is a great book if you want to know the science behind synthesis. The author knows his stuff and presents it well.I enjoy this book very much and I've learned a lot from it. I especially like the hands-on sections where you get to hear what you're learning.But... minus a star for the free software download (from a third party).Still, this book is a great investment for a techie, with tons of great info.
As an engineer, I understood the concepts, but I appreciated the way the explanations of common usage and naming and practical effect. I have Crystal, but I could done without the text concerning it, which could have been only on the companion website.
I'm educated in traditional western classical music theory, but completely ignorant in the synthesized world. This book opened up the synthesized world which I always wanted to explore.The book has a clear structure that helped me understand synthesized sound (well, actually all kinds of sound). It also has tools that can be used to do experiments with synthesizers. The included Crystal software and the interactive examples are tremendously helpful!For beginners like me, reading this book gives a much better foundation than watching hundreds of disconnected YouTube videos!
Great book so far (I haven't finished it as yet). Covers a lot of useful territory for those who work with and program softsynths, and has some good info on things like aliasing and the Nyquist theorem. Highly recommended book if you, like me, want to move from a synth preset user to someone who can make their own sounds and patches with a softsynth.
There are way too many books on the market purporting to teach sound design/synth programming. This book is useful only after you've learned to program sounds by ear, at which point it is informative and well organized. However, it will not teach you make sounds deliberately, with purpose. For that I recommend the software tutorial unfortunately titled Syntorial. If that's not an option a distant second place is Welsh's Synthesizer Cookbook.
It is the most accurate and complete information about synthesis that a person without any knowledge of the theme could find.
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